华夏生活 > 财经

赵孟頫款清明上河图

2019-11-12 19:23:43  来源: 华夏生活

赵孟頫款清明上河图

赵孟頫南宋末至元初著名书法家、画家、诗人,宋太祖赵匡胤十一世孙、秦王赵德芳嫡派子孙。 至元二十三年(1286年),赵孟頫被行台侍御史程钜夫举荐,受元世祖忽必烈的礼敬,历任集贤直学士、济南路总管府事、江浙等处儒学提举、翰林侍读学士等职。累官翰林学士承旨、荣禄大夫。晚年逐渐隐退,后借病乞归。至治二年(1322年),赵孟頫逝世,年六十九。

Zhao Mengfu is a famous calligrapher, painter and poet from the end of the Southern Song Dynasty to the beginning of the Yuan Dynasty. He is the grandson of Zhao Kuangyin, the emperor of Song Dynasty, and the direct descendant of Zhao Defang, the king of Qin In the 23rd year of the Zhiyuan Dynasty (1286), Zhao Mengfu was recommended by Cheng Jufu, the Minister of the imperial court, and respected by Kublai Khan, the emperor of the Yuan Dynasty. He successively served as a scholar of Jixian, a general manager of Jinan Road, a scholar of Jiangsu and Zhejiang, and a scholar of Hanlin. Tired official, imperial scholar, Ronglu doctor. In his later years, he gradually retired and begged for his return by illness. In 1322, Zhao Mengfu died in 69.

赵孟頫博学多才,能诗善文,懂经济,工书法,精绘艺,擅金石,通律吕,解鉴赏。尤其以书法和绘画成就最高。在绘画上,他开创元代新画风,被称为“元人冠冕”;赵孟頫亦善篆、隶、真、行、草书,尤以楷、行书著称于世。其书风遒媚、秀逸,结体严整、笔法圆熟,创“赵体”书,与欧阳询、颜真卿、柳公权并称“楷书四大家”。

Zhao Mengfu is a versatile man, good at poetry, literature, economy, calligraphy, fine painting, good at gold and stone, good at rhythm and appreciation. Especially in calligraphy and painting. In painting, he created a new style of painting in the Yuan Dynasty, known as the "crown of the Yuan people"; Zhao Mengfu was also good at seal script, Li, Zhen, Xing and cursive script, especially regular script and running script. His book style is elegant, elegant, neat and well written. He created the "Zhao style" book, which is also known as the "four masters of regular script" together with Ouyang Xun, Yan Zhenqing and Liu Gongquan.

《清明上河图》原景原貌,各种人物1643多个,牲畜208头,树木170多棵,人物、牲畜栩栩如生,生动再现了北宋都城汴京的清明时节的繁荣景象。“藏头不藏尾”是收藏界的黄金定律,《清明上河图》无论是艺术价值还是文化及史料价值都世所罕见,升值潜力巨大。从《清明上河图》中可以看到几个非常鲜明的艺术特色:此画用笔兼工带写,设色淡雅,不同一般的界画,即所谓"别成家数"。构图采用鸟瞰式全景法,真实而又集中概括地描绘了当时汴京东南城角这一典型的区域。作者用传统的手卷形式,采取"散点透视法"组织画面。画面长而不冗,繁而不乱,严密紧凑,如一气呵成。

The original scene of riverside in the Qingming Festival is more than 1643 characters, 208 livestock and 170 trees. The characters and livestock are lifelike, vividly representing the prosperity of Bianjing, the capital of the Northern Song Dynasty. "Hide the head but not the tail" is the golden law of the collection world. The riverside map of the Qingming Dynasty is rare in the world in terms of artistic value, cultural and historical data value, and has great potential for appreciation. From the picture of the river in the Qingming Dynasty, we can see several very distinctive artistic features: this painting is written with a pen and a work belt, with light and elegant colors, and different from the general paintings, that is, the so-called "number of different families". The composition adopts the panoramic method of bird's-eye view to describe the typical area of the southeast corner of Bianjing at that time. The author uses the traditional form of hand scroll to organize the picture with the method of scattered point perspective. The picture is long without redundancies, complex without disorder, tight and compact, just like a coherent one.

画中所摄取的景物,大至寂静的原野,浩瀚的河流,高耸的城郭;小到舟车里的人物,摊贩上的陈设货物,市招上的文字,丝毫不失。画面中,穿插着各种情节,组织得有错落有致,同时又具有情趣。观赏度极高,极具收藏意义。

The scenes in the painting are as big as the quiet fields, the vast rivers, the towering city walls, as small as the characters in the zhouche, the display goods on the vendors, and the words on the market bidding. The picture is interspersed with various plots, which are well organized and interesting at the same time.

此副赵孟頫款清明上河图是樊女士家传的珍品,赵孟頫款清明上河图,相较于其他的版本,赵孟頫的这个版本与作者更相符,此画将北宋时期的和谐景象纳入统一而富于变化的画卷中,表现了汴梁城外的郊野风光,城内汴河两岸的繁华盛况,市桥经郭、舟船车轩,场面宏大,人物众多,刻画精细入微,体现了画家张择端精湛的画功和高超的艺术水准。赵孟頫不仅将其画还原,更在此幅画上书写个人感想,用笔清隽,纤而不弱,力而有韵,寓有刚柔相济之美,行云流水间霸气又不失婉约,此乃一绝,极具收藏价值。

如有对此副赵孟頫款清明上河图感兴趣的藏友,欢迎莅临公司预约藏友进行赏析,如需意向购买,广大收藏家也可以通过我们公司联系洽谈,请提前办理好相关手续,及时联系。(24小时咨询热线:183-2700-0704)

相关新闻

热点排行